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  • Profile picture of Michael Ricar - Composer for Film, Advertising & Games

    Michael Ricar – Composer for Film, Advertising & Games and Profile picture of Naira Gevorkyan - ScreenwriterNaira Gevorkyan – Screenwriter are now friends 5 years, 10 months ago

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Recent Posts

  • Sentient – Theme and character arc – Part Two – Important Questionnaire

    Background Reviews of ‘Sentient’ – Draft Four of the Pilot,  w..

  • Theme and character arc

    The reviews of Sentient were critical of our failure to address theme and charac..

  • The Haunting sound of the Sentient

    What happens to a city after the Sentient apocalypse? Listen to these sounds fro..

  • Sentient Psychology – The Alien Mind

    By Dr Davin Eastley and David Steinhoff Index Origin What are they? Objective Pr..

  • The Look of the Sentient – Part One

    The journey of the Sentient  The journey of the Sentient is to learn what it is..

  • Casting

    Have your say Now that you’ve read the ‘Sentient’ Pilot script..

  • HMAS Penguin research trip

    Our guide for the trip through HMAS Penguin was former RAN Clearance Diver, Hugh..

  • Sentient Australia – Pilot – Draft Four

    Introduction  The Pilot is the show’s calling card. Fine-tuning is critica..

  • Survivor impact
    Survivor impact

    This post by Davin Eastley explores what might happen to the mental state of the..

  • Sentient Australia Review – Draft Three

    Begin your review Draft Three of Sentient – Australia – A 42 page Pi..

  • Full of stars

    The are three versions of the life-forms  Shepherd / protectors  – Task..

  • Sentient Australia Review – Draft Two

    Begin your review Draft Two of Sentient – Australia – The 65 page Pi..

  • Sentient UK Pilot review – Draft 1

    Begin your review Geoff Dupuy-Holder’s  Draft One of Sentient UK’s P..

  • Sentient USA Review – Draft 4

    Begin your review  Joseph DiFrancesco’s Draft Four of Sentient USA Pilot s..

  • Which Pitch?

    In the Australian Season One, one of the lifeforms tagged, ‘The Beast..

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